Kristin Brzoznowski

Banijay Rights has appointed Matt Creasey as executive VP of sales, co-productions and acquisitions for rest of the world, outside of EMEA.

WME partner and literary agent Melissa Myers has been named president and partner of a new venture between Kinetic Content founder and CEO Chris Coelen and Red Arrow Studios.

The Temporary Interruption Fund (TIF), a A$50 million reserve made available by the Australian Government and administered by Screen Australia, is now open for applications to help support local film and television producers.

The ABC in Australia has appointed seasoned programmer Roberta Allan as head of content curation and distribution within its entertainment and specialist division.

The latest figures from Ampere Analysis suggest that there is room for 3 billion additional streaming subscriptions across the world’s largest media markets, though some territories are moving toward a "stacking ceiling."

AMC Networks’ Shudder is now available in Australia and New Zealand, adding to a global footprint that already includes the U.S., Canada, Germany, the U.K. and Ireland.

Darren Star talks about his latest series, Emily in Paris, the vibrancy of the French capital city as a backdrop and the brilliance of Lily Collins as the eponymous Emily in the dramedy.

Wildseed Studios is producing The Last Bus, a ten-part, live-action Netflix original series aimed at the family/co-viewing audience.

Apple has tied up with Martin Scorsese's Sikelia Productions in a multiyear first-look deal, which includes film and TV productions from the prolific director and producer for Apple TV+.

Playground's Colin Callender and executive producer Melissa Gallant spoke to World Screen Newsflash via video conference about bringing the beloved All Creatures Great and Small stories to TV for a new generation.