Mansha Daswani

Netflix lost another 970,000 customers in the second quarter, below its own forecasts, and is projecting a return to growth in Q3, anticipating a gain of 1 million subs.

U.S. SVOD subscribers who cancel a streaming service and commit to a new one within two months are more likely to switch to Apple TV+ or Paramount+, according to Ampere Analysis.

Red Arrow Studios' U.S. production companies, a portfolio that includes Kinetic Content, Left/Right, 44 Blue, Half Yard Productions and Dorsey Pictures, have been sold to Peter Chernin's new venture, The North Road Company.

The president and managing director weighs in on trends in the global content business across scripted and formats.

World Screen takes a deep dive into PwC’s four-year forecast for global media and entertainment.

Following the pandemic-driven boosts of 35.4 percent in 2020 and 22.8 percent last year, OTT video revenue growth is expected to slow to a compound annual growth rate (CAGR) of 7.6 percent through 2026, PwC reveals, with revenues rising to $114.1 billion.

Zenith’s latest Advertising Expenditure Forecasts report details its predictions for global adspend from 2022 through 2024.

More than 50 percent of the slate of content available to Netflix's American subscribers is original or exclusive, per Ampere, second only to Apple TV+ and well ahead of Amazon Prime Video and Hulu.

Revenues at Lionsgate rose to $929.9 million in the fourth quarter, but the independent studio reported a net loss in the period of $104.6 million.

The average U.S. household uses 12.5 different sources of entertainment—from TV and streaming to social media, music, gaming, podcasts and more—but only regard half (6.2) as "must-haves," according to Hub Entertainment Research's Battle Royale consumer survey.