{"id":19044,"date":"2022-11-23T09:48:31","date_gmt":"2022-11-23T14:48:31","guid":{"rendered":"https:\/\/dev2.worldscreen.com\/tvreal\/science-docs-find-success-storytelling\/"},"modified":"2022-11-28T09:47:28","modified_gmt":"2022-11-28T14:47:28","slug":"science-docs-find-success-with-storytelling","status":"publish","type":"post","link":"https:\/\/worldscreen.com\/tvreal\/science-docs-find-success-with-storytelling\/","title":{"rendered":"Science Docs Find Success with Storytelling"},"content":{"rendered":"<p>The past several years have seen increased interest in science documentaries from audiences and buyers, what with the pandemic, increased warnings about climate change and a slew of other societal problems, according to several executives involved with the genre.<\/p>\n<p>\u201cWith an increasing need for educational programming, especially during the pandemic, science programs for all ages have been on every shopping list,\u201d says Anne Olzmann, managing director of Albatross World Sales. \u201cMany broadcasters and platforms changed their programming to more information and documentaries to help with education during lockdown.\u201d<\/p>\n<p>Alexandra B\u00f6hm, head of international co-productions at Autentic, also notes that \u201cpopulism, fake news and conspiracy theories are increasingly dominating public discourse and leading to a division in our society. To counteract this trend and strengthen trust in science, we need to improve our knowledge of science. This is one of the main reasons why the demand is continuously growing.\u201d<\/p>\n<p>Out of the many types of science programs, those focused on environmental topics have been particularly popular as of late. \u201cMostly the ones that inspire change and explain how science can be used to solve climate change-related issues,\u201d Olzmann says. \u201cThey should look at positive examples and less on doomsday scenarios, though.\u201d<\/p>\n<p>B\u00f6hm has found the same, noting that documentaries on \u201cglobal issues that present the greatest challenges for our society such as climate change and conservation of endangered species are especially important.\u201d<\/p>\n<p>Though these topics can be complex, the key to success is presenting them in simple, entertaining ways, B\u00f6hm notes. \u201cComplex topics should not be told in an overly scientific way,\u201d she says. \u201cCreative and exciting storytelling has become essential. Science docs are only relevant if they have a strong dramaturgy.\u201d<\/p>\n<p>Olzmann concurs, noting that this push for more storytelling has led to the acceptance of more \u201chybrid\u201d programs. In the past, \u201cnature buyers would send a project to their colleague in the science department or vice versa; it was either too much nature for a science program or too much science in a nature show,\u201d she says. \u201cThis has definitely changed, and the hunger for more storytelling has helped science programs become more popular.\u201d<\/p>\n<p>Olzmann offers <em>On Thin Ice<\/em> as an example of one such program. The award-winning film \u201cincluded interviews and high-end nature and wildlife shots, but in general had a very significant scientific message on climate change,\u201d she says. The program ended up airing in several nature slots that typically only accepted pure wildlife programs, she notes.<\/p>\n<p>The massive influx of streamers\u2014especially factual ones\u2014has helped boost the production of more science programming, as well as its accessibility.<\/p>\n<p>\u201cMany of the major issues of our time are very complex and therefore require more elaborate filming, which requires higher budgets,\u201d B\u00f6hm says. \u201cThese budgets are easier to achieve in the streaming sector.\u201d<\/p>\n<p>And \u201cthere is more room to experiment with different subgenres, run times and formats in general,\u201d Olzmann adds, noting that streamers \u201chave always been more open to hybrid programs.\u201d<\/p>\n<p>That being said, Olzmann says that traditional broadcasters have started to open up more. The aforementioned <em>On Thin Ice<\/em> aired in a prime-time wildlife slot, and <em>Why We Dance<\/em>, originally produced for CBC\u2019s The Nature of Things science slot, made its way to other slots on other networks as well, according to her.<\/p>\n<p>This change is in part because \u201ccompared to older science docs, the current ones are aimed at a broader audience who want to deal with a topic unknown to them,\u201d B\u00f6hm says. \u201cThe initial perspective is no longer one from an already-informed audience about a particular topic.\u201d<\/p>\n<p>\u201cIn linear television, the focus is often on local viewers, which can be a challenge for international projects,\u201d Boehm also points out. But \u201cmany of the problems of our time cannot be solved locally, only globally.\u201d The trend of science documentaries that appeal to a broader audience\u2014one without prior knowledge on the subjects\u2014has given broadcasters the opportunity to try out different types of programming that they typically would not have before.<\/p>\n<p>Wider audiences are being pulled in by the technological advancements used for documentary filmmaking, too. \u201cThere are no limits when it comes to visualizing complex issues,\u201d Olzmann says, pointing to camera improvements and the development of CGI.<\/p>\n<p>\u201cBy emphasizing aesthetic design, storytelling and high-end cinematography, these popular visualizations reach millions of viewers worldwide,\u201d B\u00f6hm adds. \u201cWith the help of state-of-the-art animation, science is told in an entertaining way and becomes an informal learning experience.\u201d<\/p>\n<p>B\u00f6hm continues, \u201cTo find new ways to visualize complex science in an understandable and entertaining way is a new and important frontier in science communication.\u201d And if a program can achieve that, it can succeed on traditional broadcasters and streamers alike.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leading distributors of science documentaries talk about the increased interest in the genre and what makes a successful program.<\/p>\n","protected":false},"author":1412,"featured_media":19045,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":0,"footnotes":""},"categories":[79,69],"tags":[3564,6609,4073,848],"class_list":["post-19044","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-features","category-top-stories","tag-albatross-world-sales","tag-alexandra-bohm","tag-anne-olzmann","tag-autentic","pmpro-has-access"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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