{"id":4513,"date":"2013-03-14T00:00:00","date_gmt":"2013-03-14T00:00:00","guid":{"rendered":"http:\/\/worldscreen.com\/tveurope\/2013\/03\/14\/zdf-enterprises-turns-20\/"},"modified":"2013-03-14T00:00:00","modified_gmt":"2013-03-14T00:00:00","slug":"zdf-enterprises-turns-20","status":"publish","type":"post","link":"https:\/\/worldscreen.com\/tveurope\/2013\/03\/14\/zdf-enterprises-turns-20\/","title":{"rendered":"ZDF Enterprises Turns 20"},"content":{"rendered":"<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\">NEW YORK: Alexander Coridass, the president and CEO of ZDF Enterprises, talks about the company&rsquo;s many accomplishments, which are all focused on one objective: quality programming.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\"><strong>WS:<\/strong> As a commercial entity, how has ZDF Enterprises contributed to ZDF? <strong><br \/>\nCORIDASS:<\/strong> Our main job is to  generate additional income for ZDF. As a loyal subsidiary of our  shareholder, we deliver all our annual profit to ZDF every year. Last  year this amounted to roughly &euro;10 million, which, for a mid-sized  company like ours, is a result we can be proud of. There are two other  financial streams that flow from our firm to ZDF. There is                    our direct investment in ZDF programs, which ranges  from &euro;5 million to &euro;10 million. And as far as we sell ZDF programs  without prior direct investment, we pay a certain percentage of our  sales volume to ZDF as a compensation for the rights. So we provide  three financial streams to our shareholder. Over the years, this has  amounted to several hundred million euros that have gone to ZDF.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\">The value of ZDF Enterprises is also much higher  today than it was 20 years ago. Plus, we have formed a small portfolio  of subsidiaries, mainly production companies, which all amounts to a  considerable corporate value for the ZDF Enterprises group.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\">Last but not least, through our co-productions and  international partnerships, we have been able to provide ZDF with  excellent programming in all genres, from Scandinavian drama to U.S.  documentaries and Australian live-action teen series. All these programs  have been successful on ZDF, and ZDF acquired them for a favorable  price-to-quality ratio. So besides the direct financial contributions  that I mentioned above, we are very proud to have provided ZDF with  excellent programs and international content.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\"><strong>WS:<\/strong> ZDF has been involved in numerous co-productions. What reputation does ZDF have among international co-production partners?<strong><br \/>\nCORIDASS:<\/strong> First I&rsquo;d like to give you  some figures. Each year we invest between &euro;30 million to &euro;50 million in  new programs with money generated from our own cash flow&mdash;not from  license fees collected by the GEZ from the German TV spectators. These  are either projects originating from third parties or from ZDF; but I  would say that in general, the major part goes into programs and  third-party projects and a minor part into ZDF programs.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\">What co-production partners can expect is a  co-producer who is willing and able to provide input into the editorial  development. We want to be involved in the production process and, in  return for our investment, we need to obtain the rights. There is no  general pattern for co-productions; they vary from case to case.  Sometimes we are just a co-financer: we let our partners do most of the  job and we just give some additional financing. In other cases we are in  the driver&rsquo;s seat, so to speak, and                     are the ones who are really developing a production.  One example is <em>Alexander<\/em>, about Alexander the Great, which is a  project that we are carrying out with one of our subsidiaries and with  Beta Film. It was developed by Gruppe 5 Filmproduktion, and we went in  immediately with our development money. I met writer Michael Hirst [<em>The Tudors<\/em>, <em>Elizabeth<\/em>]  in Ireland. We talked, and the project looks very promising. There is a  broad range of arrangements as far as our involvement in co-productions  is concerned, but our partners can always count on us to be very  dedicated and fair.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\"><strong>WS: <\/strong>Over the years, what has been the strategy to broaden the ZDF Enterprises catalogue? <\/span><\/span><br \/>\n<span style=\"font-size: small\"><span style=\"font-family: Verdana\"><strong>CORIDASS:<\/strong> We are extremely proud of  the programming we obtain from ZDF, but it goes without saying that it  is limited, as ZDF&rsquo;s output is aimed primarily at the German market and  is not necessarily suited for international distribution. Thus some 10  to 15 years ago we reached the decision that if we wanted to grow, to  have a broader catalogue, and to enter new markets,                    we would need additional programming. We strive to  obtain this through co-productions or distribution mandates from German  or international producers. We even buy finished product. Two thirds of  our catalogue has nothing to do with ZDF; it is programming we have  acquired from third parties or co-produced. This is something that  became necessary&mdash;it wouldn&rsquo;t have been enough to just be the sales arm  of ZDF.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\"><span style=\"font-family: Verdana\"><strong>WS:<\/strong> What opportunities are you seeing in digital platforms? <strong><br \/>\nCORIDASS:<\/strong> We definitely see huge  opportunities. I wouldn&rsquo;t have thought that we would have such great  deals with partners like Netflix and Hulu, not only for our Scandinavian  crime series but also for other German programs. We talk so often about  how complicated it is to sell non-American product to the U.S., but  this has changed. Outlets like DIRECTV, along with Netflix and Hulu, are  really very open and we&rsquo;ve made very satisfying deals with them. In  Germany and the rest of Europe, digital and VOD platforms are becoming  more and more important. Since we have a huge catalogue, the digital  world is really a great opportunity for us.<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NEW YORK: Alexander Coridass, the president and CEO of ZDF Enterprises, talks about the company&rsquo;s many accomplishments, which are all focused on one objective: quality programming. WS: As a commercial entity, how has ZDF Enterprises contributed to ZDF? CORIDASS: Our main job is to generate additional income for ZDF. As a loyal subsidiary of our &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[],"class_list":["post-4513","post","type-post","status-publish","format-standard","","category-top-stories"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ZDF Enterprises Turns 20<\/title>\n<meta name=\"description\" content=\"ZDF Enterprises Turns 20. NEW YORK, March 14: Alexander Coridass, the president and CEO of ZDF Enterprises, talks to World Screen Newsflash about the company\u00e2\u0080\u0099s many accomplishments, which are all focused on one objective: quality programming.. 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