{"id":10627,"date":"2019-01-21T08:00:19","date_gmt":"2019-01-21T13:00:19","guid":{"rendered":"https:\/\/dev2.worldscreen.com\/tvdrama\/worldscreen.com\/"},"modified":"2019-01-21T08:30:02","modified_gmt":"2019-01-21T13:30:02","slug":"natpe-spotlight-newen-distribution","status":"publish","type":"post","link":"https:\/\/worldscreen.com\/tvdrama\/natpe-spotlight-newen-distribution\/","title":{"rendered":"NATPE Spotlight: Newen Distribution"},"content":{"rendered":"
Newen Distribution is showcasing its first Spanish acquisition, The Room<\/em>, for NATPE buyers.<\/p>\n The 8×45-minute cop thriller is written by V\u00edctor Garc\u00eda, Eduardo Villanueva and Manuel Sanabria. The TF1 drama Tomorrow Is Ours<\/em> has already been licensed into markets such as Belgium, Switzerland, Italy, Canada and Poland, and Newen Distribution is looking to add to this list at NATPE. \u201cWe\u2019ve created a Spanish version in order to increase our chances of positioning our daily saga in the LatAm market,\u201d says Malika Abdellaoui, the company\u2019s managing director.<\/p>\n Newen Distribution is also spotlighting the cop show Candice Renoir<\/em>, which has been sold into more than 70 territories. Abdellaoui highlights the series\u2019 procedural format and strong female lead as being appealing characteristics for buyers.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Newen Distribution is showcasing its first Spanish acquisition, The Room, for NATPE buyers.<\/p>\n","protected":false},"author":1,"featured_media":10628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":0,"footnotes":""},"categories":[70],"tags":[1245],"class_list":["post-10627","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-top-stories","tag-newen-distribution","pmpro-has-access"],"yoast_head":"\n