{"id":6291,"date":"2021-11-18T11:26:57","date_gmt":"2021-11-18T16:26:57","guid":{"rendered":"https:\/\/dev2.worldscreen.com\/tvasia\/worldscreenings-korea-creative-content-agency\/"},"modified":"2021-11-18T11:29:53","modified_gmt":"2021-11-18T16:29:53","slug":"worldscreenings-korea-creative-content-agency","status":"publish","type":"post","link":"https:\/\/worldscreen.com\/tvasia\/worldscreenings-korea-creative-content-agency\/","title":{"rendered":"WorldScreenings: Korea Creative Content Agency (KOCCA)"},"content":{"rendered":"<p>In <em>The New York Times<\/em>, <em>Forbes<\/em> and other publications over the last few weeks, there have been a slew of trend pieces on how South Korea has become a cultural juggernaut, delivering critically acclaimed feature films, buzzy TV series and, of course, a slew of chart-topping pop artists to zealous fans across the world. As the umbrella government agency for the promotion of the content industry, Korea Creative Content Agency (KOCCA) has been at the forefront of elevating South Korean creativity across the globe.<\/p>\n<p>For Do Hyoung Lee, the general director of the broadcasting division at KOCCA, the surging interest in Korean content\u2014which has long traveled well across Asia but is now increasingly making its way to foreign shores\u2014is being driven by the sector\u2019s \u201cuniversality of themes and subjects. Most Korean content unfolds itself as good stories that all family members can enjoy.\u201d Plus, Lee notes, the country is home to directors and writers \u201cwith excellent creativity.\u201d<\/p>\n<p>In the wake of the success of <em>The Masked Singer<\/em>, South Korea has become the latest \u201cit\u201d territory for format creation, with several major players angling to tie up with innovative local producers. \u201cThere is a uniqueness in Korea that few U.S. and European [creators] have in formats. Secondly, the Korean media content market is very dynamic and fast-changing. It is also a tough environment for all creators, producers and broadcasting companies as new shows launch every three months. But it can be a platform that can generate competitive formats.\u201d<\/p>\n<p>There are several new entertainment format concepts featured in KOCCA\u2019s Fall\/Winter 2021 Showcase, including FormatEast\u2019s DNA-based music competition <em>DNA Singer<\/em> and celebrity reality show <em>Blue Chip Stars<\/em>; and a new music competition from KBS Media called <em>The Song We Loved, A New Singer<\/em>.<\/p>\n<p>K-dramas also remain a force to be reckoned with, especially in Asia. For Lee, a new area of opportunity for Korean drama is the Middle East and Northern Africa. \u201cI think we share common grounds of a dynasty era, family values and non-sexual themes, which can be appealing points.\u201d Lee also sees greater interest coming from the U.S. and Europe. \u201cI think the romantic comedies can be competitive as they have hardly been produced recently in Hollywood and Europe.\u201d KOCCA is also looking to expand the awareness of Korean scripted content in Latin America. \u201cI assume that in most of the markets where K-pop fandom exists, it is highly likely that Korean culture and broadcasting contents are well known. I think that work featuring idols would be popular.\u201d<\/p>\n<p>Featured in the Fall\/Winter 2021 Showcase are Kakao Entertainment\u2019s female-focused drama <em>No, Thank You<\/em>; Yoon&amp;Company\u2019s short-form web drama <em>Third Person\u2019s Love Point<\/em> and KBS Media\u2019s rom-com <em>Dali &amp; Cocky Prince<\/em>.<\/p>\n<p>Also available are the entertainment show <em>season B season<\/em> featuring megastar Rain; A+E Networks Korea\/Studio Dalla\u2019s business reality show <em>The King of Negotiation<\/em>; the documentaries <em>Discover Mystery Cave<\/em> from ISLANDSTORY and <em>The Praise of Four Seasons\u2014NAMUL <\/em>from Min Production; and the short-form fashion series <em>Milanonna<\/em> from Chosunbiz.<\/p>\n<p>\u201cWe sincerely appreciate the support from K-content fans, and we\u2019d like to provide events for fans so they can participate in and share their experiences,\u201d says Lee on further expanding the appeal of Korean fandom. \u201cIt was B2B business mainly before, but now we provide B2C events for K-content fans all around the world. For example, we are hosting On:Hallyu Festival for one month from November 1, and there will be various Hallyu programs covering not only B2B, G2G but also B2C live commerce and online K-pop concerts.\u201d<\/p>\n<p>See KOCCA\u2019s Fall\/Winter 2021 Showcase <a href=\"https:\/\/worldscreen.cmail19.com\/t\/r-l-triltjuy-ovgghrh-il\/\" target=\"_blank\" rel=\"noopener\"><strong>here<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the umbrella government agency for the promotion of the content industry, Korea Creative Content Agency (KOCCA) has been at the forefront of elevating South Korean creativity across the globe.<\/p>\n","protected":false},"author":1,"featured_media":6292,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[1582],"class_list":["post-6291","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-top-stories","tag-korea-creative-content-agency"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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